|
| Section | Day | Time | Instructor | Exam Date | Delivery |
|---|
| THTR 100 - Introduction to Theatre |
|---|
| An introduction to the various aspects of theatre including performance and production, the play script, history, theory and criticism. |
| 319 |
T |
09:00am - 4:30pm |
Kennetch Charletter |
|
|
| 319 |
R |
09:00am - 4:30pm |
Kennetch Charletter |
|
|
| 319 |
R |
09:00am - 4:30pm |
Kennetch Charletter |
|
|
| 319 |
R |
09:00am - 4:30pm |
Kennetch Charletter |
|
|
| 319 |
R |
09:00am - 4:30pm |
Kennetch Charletter |
|
|
| 319 |
R |
09:00am - 4:30pm |
Kennetch Charletter |
|
|
| THTR 101 - Foundations of Improv |
|---|
| Saying Yes to Yes! An introduction to the fundamental skills of theatre improvisation. This course is a guide to improvisational choices through the use of theatre games and exercises, with an emphasis on artistic perception and creative expression.
*Note: Students cannot receive credit for THEA 215AA and/or THAC 362 and/or THAC 360AA* |
| 001 |
T |
1:00pm - 3:45pm |
Jayden Pfeifer |
|
|
| 991 |
W |
7:00pm - 9:45pm |
Jayden Pfeifer |
|
|
| THTR 110 - Foundations in Devised Performance |
|---|
| This foundational performance class is designed to unleash creativity, create ensemble, and build strong physical and theoretical groundwork for a responsive, committed and creative theatre artist. This class will focus on theatre exercises and explorations as applied to devised work.
*Note: Registration is restricted to students enrolled in the BFA/BA (Devised Performance).* |
| 001 |
T |
09:30am - 12:15pm |
Kathryn Bracht |
|
|
| 001 |
R |
09:30am - 10:45am |
Kathryn Bracht |
|
|
| THTR 111 - Performance Technologies |
|---|
| From the winged chariot that saved Medea to the introduction of gas lighting in Victorian theatres to the falling chandelier in Phantom on the Opera, theatre has always engaged in complex ways with technology. With an emphasis on lighting, sound, and projections this course gives students a hands-on chance to play with old and new theatre technologies and discover that almost anything is possible. |
| 001 |
MW |
11:30am - 12:45pm |
William Hales |
|
|
| THTR 112 - Behind the Magic: Painting and Props |
|---|
| The enchanted rose in Beauty and the Beast, the swords in MacBeth (not to mention a moving forest), or the puppet characters of Avenue Q props are integral to performance. This hands-on course focuses on the manipulation of various materials, sustainable props building, and scenic painting. This class may help support THTR 310. |
| 001 |
M |
2:30pm - 5:15pm |
Mason Roth |
|
|
| 001 |
R |
2:30pm - 5:15pm |
Mason Roth |
|
|
| THTR 115 - Introduction to Acting |
|---|
| An introduction to some of the fundamental acting methods used by professional actors working in mainstream North American theatre.
*Note: Students may receive credit for one of THTR 115, THEA 260, or THAC 260.* |
| 001 |
MW |
1:00pm - 2:15pm |
Shannon Holmes |
|
|
| THTR 199AA - Theatre Society Change |
|---|
| Theatre. Society. Change is designed to provide students with different perspectives on theatre and its uses in the context of development and community building. |
| 001 |
R |
1:00pm - 3:45pm |
Taiwo Afolabi |
|
|
| THTR 204 - Technical Theatre for a Scholastic Situation |
|---|
| This course will cover the stage management and technical requirements needed to mount a production in an elementary/high school environment. You are teaching in small town Saskatchewan and learn the principal expects you to design, direct, and tech the upcoming mega-musical. Don’t panic, this course will cover the stage management and technical requirements needed to mount a production in an
elementary/high school environment.
*Note: Students cannot receive credit for THTR 204 and THDS 365AD* |
| 001 |
W |
6:30pm - 9:45pm |
William Hales |
|
|
| THTR 224AB - Contemporary Scene Study |
|---|
| This class builds on the foundational skills acquired in THAC 260/THTR 115 to develop dynamic and effective scenework in plays from contemporary North American theatre.
***Prerequisite: THTR 120 AND THTR 210 OR THTR 120 and permission of the instructor OR THTR 210 and permission of the instructor. ***
*Note: Students may receive credit for one of THTR 224AB or THAC 360AJ.* |
| 001 |
M |
09:30am - 12:30pm |
Kathryn Bracht |
|
|
| 001 |
W |
09:30am - 11:00am |
Kathryn Bracht |
|
|
| THTR 301 - Storytelling, Performance and Theatre in Canada |
|---|
| The complex and challenging exploration of storytelling traditions, First Nations and settler performances and Canadian plays with an emphasis on production and historical contexts.
***Prerequisite: ACAD 100 and ENGL 100 and the successful completion of 45 credit hours or ENGL 110 and the successful completion of 45 credit hours.***
*Note: Students may receive credit for one of THTR 301, THEA 380, and THST 380.* |
| 991 |
W |
6:00pm - 8:45pm |
Wes Pearce |
|
|
| THTR 326AA - Artist Study: Harold Pinter |
|---|
| Harold Pinter transformed dialogue and the use of silence in twentieth century theatre. In this course we will trace the development of his influential dramaturgy over the course of his long career. We will also experience the deep learning accessed through focused study of a single artist/collective through time.
***Prerequisite: Completion of 45 credit hours.*** |
| C01 |
TR |
1:00pm - 2:15pm |
Leanne Groeneveld |
15-DEC-22 |
HYFLX |
| THTR 499AA - Advanced Projects in Voice |
|---|
| This course is for fourth-year students who wish to study advanced vocal techniques and methods through individual practice-based projects.
***Prerequisite: Completion of 90 credit hours or permission of instructor.*** |
| 001 |
|
- |
Shannon Holmes |
|
|
