Faculty of Media, Art, and Performance
Graduate Timetable
Film Graduate Courses
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Section | Day | Time | Instructor | Exam Date | Delivery |
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FILM 804 - Critical Investigations in film |
This course focuses on theoretical approaches to cinema and new media from aesthetic, cultural, anthropological, psychological and sociological viewpoints. It provides an understanding of the interrelationship between film/film-making and reality, other media arts, and the audience. Topics include Post-Colonialism, Orientalism, Art/Film Installation, Expanded Cinema, Narrative Theory, Arab/ African Cinema, Censorship, Propaganda /Surveillance, Psychoanalysis. |
001 |
T |
6:00pm - 8:45pm |
Christina Stojanova |
|
RMTE |
FILM 831 - Production Studio |
These courses bring together all students in the MFA Media Production program to work independently and collaboratively on creative aspects of media production. |
001 |
F |
10:00am - 12:45pm |
Michael Rollo |
|
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FILM 902 - Research Project |
Research supporting media production resulting in the writing of the comprehensive critical engagement paper of 25-30 pages, preparation and public presentation of graduating media production project. |
001 |
|
- |
Mark Wihak |
|
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Inter-diciplinary Studies Graduate Courses
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Section | Day | Time | Instructor | Exam Date | Delivery |
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MAP 803 - Seminar in Theory & Methods |
Seminar exploring diverse approaches to research in the Media, Art, and Performance, including studies-based and practice-based methods.
*NOTE: Students may only receive credit for one of FA 803 or MAP 803.* |
001 |
W |
5:30pm - 8:15pm |
Gerald Saul |
|
|
MAP 810AL -
Play: Advanced Interactive Media |
This studio-based course focuses on advanced interactive new media art and critical play. It includes studio projects involving virtual interaction, interactive installation / performance, and data translation, and readings on critical play and interactive art. |
001 |
|
- |
Lindsey French |
|
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MAP 901 - Thesis Research |
Research supporting an MA or PhD program including the thesis proposal, ethics review application (if applicable), and research resulting in the writing and defense of a graduating thesis of 60-100 pages for an MA; or the preparation of a PhD graduating thesis, research-creation project, or hybrid thesis/research-creation project, as applicable.
*NOTE: Students may only receive credit for one of FA 901 or MAP 901.* |
001 |
|
- |
Taiwo Afolabi |
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002 |
|
- |
Sherry Farrell Racette |
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003 |
|
- |
Sherry Farrell Racette |
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|
005 |
|
- |
Sheila Petty |
|
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018 |
|
- |
Charity Marsh |
|
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MAP 902 - Research Project |
Research supporting a professional, practice-based MFA program resulting in the writing of a comprehensive critical engagement paper of 40 pages and the preparation and public presentation of a graduating research-creation project.
*NOTE: Students may only receive credit for one of FA 902 or MAP 902.* |
001 |
|
- |
Sherry Farrell Racette |
|
|
018 |
|
- |
Charity Marsh |
|
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Music Graduate Courses
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Section | Day | Time | Instructor | Exam Date | Delivery |
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MU 836 - University Chamber Singers II |
Specializing in acappella music from the Renaissance to the Twentieth century. Participation as section leader. Student will assist in duties contributing to the presentation of concert events. |
001 |
|
- |
Melissa Morgan |
|
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MU 902 - Research Project |
Research supporting a professional, practice-based program (MMus in Composition; MMus in Conducting; and MMus in Performance). MMus in Performance is expected to perform two solo recitals -- the first after not more than 6 credit hours of study. |
001 |
|
- |
Christopher MacRae |
|
|
002 |
|
- |
Ron de Jager |
|
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Visual Arts Graduate Courses
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Section | Day | Time | Instructor | Exam Date | Delivery |
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ART 802 - Group Studio |
Group seminar led by studio faculty to discuss and write about student's studio practice. |
001 |
F |
09:30am - 12:50pm |
Sandee Moore |
|
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ART 804 - Group Studio |
Group seminar led by studio faculty to discuss and write about student's studio practice. |
001 |
F |
09:30am - 12:50pm |
Sandee Moore |
|
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ART 840AM - Painting Technique and Concept |
The student will produce a substantial and cohesive body of work, developing technical and conceptual aspects of their painting practice. Discussions with the instructor will address technique and concept, and the relationship of the student's work to contemporary art practice. |
005 |
|
- |
David Garneau |
|
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ART 840AO - Personal Imagery in Painting |
The student will develop imagery of personal significance and create oil paintings utilizing this imagery. Four significant paintings will be completed as well as research and preparatory works. |
026 |
|
- |
Larissa Tiggelers |
|
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ART 860AA - Graduate Ceramic Studio |
The course is stuctured around the development of studio work in ceramics with the consideration and context of the historical and contemporary issues in sculpture, craft, and design. |
001 |
|
- |
Ruth Chambers |
|
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ART 870AA - Thematic Approaches to Printmaking (l) |
This studio course focuses on projects in graduate level printmaking. Independent studio work based on thematic and technical motivations of the student, in consultation with the instructor will be undertaken. Weekly meetings to discuss the overall development of the project(s) including related theoretical and conceptual components will inform a thematic trajectory for ongoing research and studio production. |
014 |
|
- |
Robert Truszkowski |
|
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ART 902 - Research and Exhibition |
Research into studio concerns and preparation of the exhibition. Students must complete 12 credit hours in total. |
001 |
|
- |
Ruth Chambers |
|
|
005 |
|
- |
David Garneau |
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|
017 |
|
- |
Risa Horowitz |
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Art History Graduate Courses
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Section | Day | Time | Instructor | Exam Date | Delivery |
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Theater Graduate Courses
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Section | Day | Time | Instructor | Exam Date | Delivery |
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