|
| Section | Day | Time | Instructor | Exam Date | Delivery |
|---|
| THTR 100 - Introduction to Theatre |
|---|
| An introduction to the various aspects of theatre including performance and production, the play script, history, theory and criticism. |
| C01 |
TR |
11:30am - 12:45pm |
Leanne Groeneveld |
23-APR-24 |
|
| THTR 115 - Introduction to Acting |
|---|
| An introduction to some of the fundamental acting methods used by professional actors working in mainstream North American theatre.
*Note: Students may receive credit for one of THTR 115, THEA 260, or THAC 260.* |
| 001 |
TR |
11:30am - 12:45pm |
Shannon Holmes |
|
|
| 002 |
TR |
1:00pm - 2:15pm |
Kathryn Bracht |
|
|
| THTR 120 - Cabaret Class |
|---|
| Cabaret culture began in the Monmartre, Paris, and took on intellectual and political resistance in World War II Germany. This class builds upon the foundational work of THTR 110 and culminates in an end-of-term Cabaret showcase.
***Prerequisite: THTR 110 or Permission of the Instructor and Department Head.*** |
| 001 |
M |
1:00pm - 3:45pm |
Kathryn Bracht |
|
|
| 091 |
W |
1:00pm - 2:15pm |
Kathryn Bracht |
|
|
| THTR 121 - Behind the Magic: Costume Construction |
|---|
| Costumes help create an instantly recognizable character or help tell the story. This course not only gives students fundamental sewing skills (or further develops existing skills) but provides an introduction into pattern development, the role of costume in performance, and the language of costume building. It culminates with an explosion of creativity in support of the spring Cabaret (THTR 120) or the 4th year production (THTR 420) or special project. |
| 001 |
M |
09:30am - 12:15pm |
Cathy Mearns |
|
|
| 090 |
W |
09:30am - 12:15pm |
Cathy Mearns |
|
|
| 091 |
W |
1:00pm - 3:45pm |
Cathy Mearns |
|
|
| THTR 122 - Reading the Visual |
|---|
| Contemporary performance is visually driven. This course introduces students to the foundations of reading and understanding the visual world. What meanings do we give to polka dots? What meanings do we give red? What meanings do we give satin or brick? Students will focus on the reading and analysis of live and mediated performances within a larger cultural framework. |
| 991 |
W |
6:00pm - 8:45pm |
Wes Pearce |
24-APR-24 |
|
| THTR 203 - Comedy Gold: A Standup Course for Beginners |
|---|
| This course will teach students the fundamentals of writing and performing stand-up comedy. Students will learn how to generate material from their own life, how to craft a well-made joke and how to perform in front of a live audience.
*Note: Students cannot receive credit for THTR 203 and THEA 215 AG* |
| 991 |
W |
6:00pm - 8:45pm |
Julianna Barclay |
|
|
| THTR 211AC - Intro to Integrated Voice and Speech |
|---|
| This studio class introduces practical methods and techniques that allow students to develop a dynamic, flexible, and expressive instrument. ***Prerequisite: THTR 210 or THTR 110 and permission of the instructor.***
*Note: Students must complete both THTR 211 AA-ZZ and THTR 411 AA-ZZ in addition to 2 of THTR 311 AA-ZZ.* |
| 001 |
TR |
10:00am - 11:15am |
Shannon Holmes |
|
|
| THTR 213 - Dramaturgy: Foundation of Performance |
|---|
| How does a director use dramaturgy? What use is dramaturgy to a theatre maker? What is visual dramaturgy? Through multiple perspectives and multiple voices this class seeks to answer: what is dramaturgy and why is it important to performance creation?
***Prerequisite: Two of ACAD 100 and ENGL 100 or ENGL 110 and successful completion of 15 credit hours at time of
registration.*** |
| 001 |
T |
1:00pm - 3:45pm |
Jonathan Seinen |
|
|
| THTR 220 - Fringe Festival Class |
|---|
| Fringe Festivals across North America present some of the most thrilling and ground-breaking theatre happening today. Building upon the skills of the ensemble, this course provides students in the second year cohort with the opportunity to produce and perform in the Regina International Fringe Festival (and beyond).
***Prerequisite: THTR 210 OR THTR 120 AND permission of the instructor. ***
*Note: This course runs from January until early July. The class however, does not meet between the end of classes
and an agreed to date in the last week of June. Alternative and pedagogically sound projects will be given those students who, for legitimate reasons, cannot commit to this schedule.* |
| 001 |
F |
1:00pm - 6:00pm |
Jonathan Seinen |
|
|
| 001 |
W |
2:30pm - 5:15pm |
Jonathan Seinen |
|
|
| 001 |
MTR |
6:00pm - 9:00pm |
Jonathan Seinen |
|
|
| THTR 299AB - Musical Theatre |
|---|
| This course explores the development and structure of the American musical from pre- Oklahoma! operetta through Broadway’s“Golden Age”, to the innovative seventies; the arrival (and aftermath) of the British Megamusical to the uncertainty of today. With an emphasis on Broadway this class explores both the good and the bad of the art form with special attention given to issues of identity, women within musical theatre and social commentary as evidenced in some of the most important musicals of the 20th and 21st century. This course is NOT performance based. ***Prerequisite: Two of ACAD 100, ENGL 100, or ENGL 110 and the successful completion of 30 credit hours.*** |
| 001 |
T |
09:30am - 12:15pm |
Wes Pearce |
|
|
| THTR 319AA - Technical Production, Stage Management, and Design |
|---|
| This class introduces students to the practical application of the design, technical production, and stage management of a theatre production from the rehearsal process through to performance.
***Prerequisite: Two of THTR 112, THTR 121, and THTR 212 or the completion of 45 credit hours and permission of the instructor.*** |
| 001 |
F |
1:00pm - 6:00pm |
STAFF |
|
|
| 001 |
W |
2:30pm - 5:15pm |
STAFF |
|
|
| 001 |
MTR |
6:00pm - 9:00pm |
STAFF |
|
|
