Faculty of Media, Art, and Performance
Graduate Timetable
Film Graduate Courses
|
| Section | Day | Time | Instructor | Exam Date | Delivery |
|---|
| FILM 810BG - Cinema of War: A critical, aesthetic, & cultural study of dramatic war films from 1900 to present |
|---|
| A study of war film throughout history with a focus on the tropes of war and how they have changed since 1900. A collection of current and historical dramatic methodologies, and cultural contexts. |
| 001 |
|
- |
Gerald Saul |
|
|
| FILM 830 - Production Studio |
|---|
| These courses bring together all students in the MFA Media Production program to work independently and collaboratively on creative aspects of media production. |
| 001 |
F |
11:30am - 2:15pm |
Mark Wihak |
|
|
| FILM 902 - Research Project |
|---|
| Research supporting media production resulting in the writing of the comprehensive critical engagement paper of 25-30 pages, preparation and public presentation of graduating media production project. |
| 002 |
|
- |
Sarah Abbott |
|
|
| 003 |
|
- |
Michael Rollo |
|
|
Inter-diciplinary Studies Graduate Courses
|
| Section | Day | Time | Instructor | Exam Date | Delivery |
|---|
| MAP 800 - Seminar in Theory & Methods |
|---|
| Seminar exploring and questioning the history, theory and aesthetics of Media, Art, and Performance, and the diverse and shifting conceptions of Media, Art, and Performance disciplines in relation to other social and cultural forms.
*NOTE: Students may only receive credit for one of FA 800 or MAP 800.* |
| 001 |
M |
5:30pm - 8:30pm |
Christina Stojanova |
|
RMTE |
| MAP 804 - Studies in Media, ART, and Performance |
|---|
| This seminar course addresses thematic research strengths in the Faculty in order to provide students with a deeper exploration into topics within Media, Art, and Performance. Thematic seminar topics will relate to Popular & Visual Culture; Gender, Sexuality, and Culture; Social and Community Engagement; Indigenous Arts and Culture; or Curatorial Studies and Cultures of Display.
*NOTE: Students may only receive credit for one of FA 804 or MAP 804.* |
| 001 |
W |
5:30pm - 8:30pm |
Sarah Abbott |
|
|
| MAP 805 - Doctoral Research Showcase |
|---|
| Students will develop, organize, present and engage in a public forum on their PhD research project.
*NOTE: Students may only receive credit for one of FA 805 or MAP 805. |
| 001 |
|
- |
Sherry Farrell Racette |
|
|
| 002 |
|
- |
Karla McManus |
|
|
| MAP 890BX -
Metis History and Art After 1870 |
|---|
| This course will explore the historic dispossession of the Métis Nation after 1870, the 1885 resistance, and political reappearance in the 1930s. It will explore the importance of reclaiming narrative, genealogical reconstruction, and the role of creative expression (particularly literature and film) in cultural resurgence. |
| 001 |
|
- |
Sherry Farrell Racette |
|
|
| MAP 900 - Comprehensive Exam |
|---|
| Examination measuring comprehensively the knowledge and practice in the disciplines relevant to the PhD thesis/project.
*NOTE: Students may only receive credit for one of FA 900 or MAP 900.* |
| 001 |
|
- |
Karla McManus |
|
|
| MAP 901 - Thesis Research |
|---|
| Research supporting an MA or PhD program including the thesis proposal, ethics review application (if applicable), and research resulting in the writing and defense of a graduating thesis of 60-100 pages for an MA; or the preparation of a PhD graduating thesis, research-creation project, or hybrid thesis/research-creation project, as applicable.
*NOTE: Students may only receive credit for one of FA 901 or MAP 901.* |
| 001 |
|
- |
Sherry Farrell Racette |
|
|
| 018 |
|
- |
Charity Marsh |
|
|
| MAP 902 - Research Project |
|---|
| Research supporting a professional, practice-based MFA program resulting in the writing of a comprehensive critical engagement paper of 40 pages and the preparation and public presentation of a graduating research-creation project.
*NOTE: Students may only receive credit for one of FA 902 or MAP 902.* |
| 001 |
|
- |
Sherry Farrell Racette |
|
|
| 002 |
|
- |
Charity Marsh |
|
|
| 018 |
|
- |
Charity Marsh |
|
|
| MAP 903 - Project Report Course |
|---|
| The student submits the final project or critical engagement paper.
*NOTE: Students may only receive credit for one of FA 903 or MAP 903.* |
| 013 |
|
- |
Sean Whalley |
|
|
Music Graduate Courses
|
| Section | Day | Time | Instructor | Exam Date | Delivery |
|---|
| MU 802 - University Concert Band II |
|---|
| Participation as principal in one of the sections of the ensemble. Students will assist in duties contributing toward the presentation of concert events. |
| 001 |
|
- |
Brent Ghiglione |
|
|
| MU 809AM - Listening as Social Practice |
|---|
| This course looks critically and creatively at the artistic practice of sound art, in connection with the Great Lakes Association for Sound Studies Conference, Listening as a Shared and Social Practice, which will take place at the University of Regina. |
| 001 |
|
- |
Lindsey French |
|
|
| MU 811 - Twentieth Century Music |
|---|
| Emphasis on contemporary music. Detailed study and analysis of selected works in chamber, smyphonic, choral and solo literature. |
| 001 |
|
- |
September Russell |
|
|
| MU 813 - Dir Studies Music Literature |
|---|
| Study related to the performing medium of the student. Repertoire and its stylistic development through a study of selected works. |
| 001 |
|
- |
Brent Ghiglione |
|
|
| 002 |
W |
5:00pm - 7:00pm |
Christopher MacRae |
14-DEC-22 |
|
| MU 831 - University Concert Choir |
|---|
| Participation as section leader. Students will assist in duties contributing to the presentation of concert events. |
| 001 |
|
- |
Melissa Morgan |
|
|
| MU 835 - University Chamber Singers I |
|---|
| Specializing in acappella music from the Renaissance to the Twentieth century. Participation as secition leader. Students will assist in duties contributing to the presentation of concert events. |
| 001 |
TR |
3:30pm - 4:45pm |
Melissa Morgan |
|
|
| MU 881 - Chamber Music Ensemble I |
|---|
| Coaching in performance problems and interpretation of selected works from the chamber literature that includes the student's instrument. |
| 001 |
|
- |
Ron de Jager |
|
|
| MU 902 - Research Project |
|---|
| Research supporting a professional, practice-based program (MMus in Composition; MMus in Conducting; and MMus in Performance). MMus in Performance is expected to perform two solo recitals -- the first after not more than 6 credit hours of study. |
| 001 |
|
- |
Christopher MacRae |
|
|
| 002 |
|
- |
Brent Ghiglione |
|
|
| 003 |
|
- |
Ron de Jager |
|
|
Visual Arts Graduate Courses
|
| Section | Day | Time | Instructor | Exam Date | Delivery |
|---|
| ART 801 - Group Studio |
|---|
| Group seminar led by studio faculty to discuss and write about student's studio practice. |
| 001 |
F |
09:30am - 12:50pm |
Risa Horowitz |
|
|
| ART 803 - Group Studio |
|---|
| Group seminar led by studio faculty to discuss and write about student's studio practices. |
| 001 |
F |
09:30am - 12:50pm |
Risa Horowitz |
|
|
| ART 804 - Group Studio |
|---|
| Group seminar led by studio faculty to discuss and write about student's studio practice. |
| 001 |
F |
09:30am - 1:00pm |
Risa Horowitz |
|
|
| ART 830AA - Drawing and Paper-Based Projects |
|---|
| A course involving an exploration of drawing and related paper based projects. |
| 027 |
|
- |
Holly Fay |
|
|
| ART 840AB - Painting in Contemporary Contexts and Practices |
|---|
| Build on the skills and ideas developed by the student in previous work and courses. Emphasis is on deepening those skills and ideas, especially on the building of a substanial body of work. |
| 005 |
|
- |
David Garneau |
|
|
| ART 860AJ - Advanced Ceramic Sculpture |
|---|
| The student will work with advanced technical and conceptual contemporary ceramic sculptural methods. Techniques will include hand building, and mold-making, and various surface treatments. A body of work informed by specific thematic content determined the first class will be created. |
| 001 |
|
- |
Ruth Chambers |
|
|
| ART 870AA - Thematic Approaches to Printmaking (l) |
|---|
| This studio course focuses on projects in graduate level printmaking. Independent studio work based on thematic and technical motivations of the student, in consultation with the instructor will be undertaken. Weekly meetings to discuss the overall development of the project(s) including related theoretical and conceptual components will inform a thematic trajectory for ongoing research and studio production. |
| 014 |
|
- |
Robert Truszkowski |
|
|
| ART 884AI -
MFA Photo-Based Media IV |
|---|
| This graduate course will focus on the continued development of ideas and artworks in photo-based media during the fourth semester, or later, of the Visual Arts MFA. |
| 017 |
|
- |
Risa Horowitz |
|
|
| ART 902 - Research and Exhibition |
|---|
| Research into studio concerns and preparation of the exhibition. Students must complete 12 credit hours in total. |
| 001 |
|
- |
Ruth Chambers |
|
|
| 005 |
|
- |
David Garneau |
|
|
| 014 |
|
- |
Robert Truszkowski |
|
|
Art History Graduate Courses
|
| Section | Day | Time | Instructor | Exam Date | Delivery |
|---|
Theater Graduate Courses
|
| Section | Day | Time | Instructor | Exam Date | Delivery |
|---|
